Call for Papers – DAHJ Issue #9, “The Art Museum in the New Hybridity,” explores the convergence of analog and digital media, focusing on the art museum in the new hybridity. Articles published on a rolling basis. Possible topics to be addressed: New assumptions of hybridity (in provision, visitation, and operation) on which curatorship can…
12th Annual Art History Graduate Student Symposium: “Translating Home: Views From the Diaspora” (online / April 22–23, 2022) Submission Deadline: January 23, 2022 Organized by the Rutgers University Art History Graduate Student Organization (AHGSO) The concept of home is unstable, bearing countless interpretations of physical and abstract places. Diasporic and transnational identities are particularly susceptible…
Panorama, the journal of the Association of Historians of American Art, is pleased to announce the publication of its fall issue and the debut of its “Toward a More Inclusive Digital Art History” initiative, a joint project funded through a generous grant by the Terra Foundation for American Art and administered by Panorama, has made it…
DAHJ Editions is a new publication series with a wide ranging content of research projects, conferences, workshops, and other programs for scholars and artists within the field of digital art history. The first DAHJ Edition, “‘The Digital Image’ – a Transdisciplinary Research Cluster” (published October 15, 2021) is edited by Hubertus Kohle and Hubert Locher.…
Call for Papers Deadline: October 15, 2021 Acceptance Notification: Beginning of November 2021 Paper Draft Deadline: March 1, 2022 Access to sources, knowledge, and information is going through fundamental changes as globalisation and digitalisation evolve. The same changes apply to the process of gaining new academic insights. As the amount of sources increases (as well…
Abstract Submission Deadline: November 30, 2021 Call for Papers Information: Canterbury 2022 Abstract Submission Form (Word doc) Call and Issues The buildings, towns and cities we inhabit are physical entities created in the past, experienced in the present, and projected to inform the future. The same can be said of the artefacts we use daily:…