Application Deadline: October 15, 2023, 23:59 CET / 2:59 PM PDT The Wikiverse, with its suite of collaborative structures and applications, has great potential as an infrastructure for exploration in art history and museum/collection research. The possibility to build linked art and collection data, to visualise data and information, and to connect with a global…
Historians of Netherlandish Art Conference 2024 (HNA): Britain and the Low Countries / Cambridge, UK, July 10–13, 2024 Submission Deadline: September 29, 2023 It has been almost thirty years since ecologist and philosopher David Abram coined the phrase “more-than-human world” to describe the endless enmeshment of the human and non-human (including plants, animals, and natural…
A Portrait of Tenochtitlan is a reconstruction of the city as it was in 1518. The narrative that accompanies the images can be read in English, Español, and Nahuatlahtolli. “Mexico City is built on top of the ruins of Tenochtitlan. The temples were demolished and the stones were repurposed after the Spanish conquest. The lake has…
The following is a guest post by the Library of Congress 2023 Innovator in Residence Jeffrey Yoo Warren. As part of his residency, Warren will publish a toolkit to empower communities to create relational reconstructions of destroyed neighborhoods of color using 3D modeling methods and historic photographs. In the following post, Warren discusses creating atmospheric…
Historians of Netherlandish Art (HNA) Conference 2024: ‘Britain and the Low Countries: Cultural Exchange Past, Present & Future’ (London and Cambridge, July 10-13, 2024) Session Call for Papers, “Embracing the Digital Age: New Prospects for Researching Northern European Art with Computational Methods” Submission Deadline: September 29, 2023 Over the last two decades, cultural institutions, collaborations,…
CFP – 9th Issue of Transbordeur. Photographie histoire société: “Photography and Algorithms” Abstract Submission Deadline: September 22, 2023 Following on from two previous issues of Transbordeur, no. 3: “Câble, copie code. Photographie et technologies de l’information” (2019) and no. 7 “Images composites” (2023) – this issue aims to situate the phenomenon of algorithmic images within…