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EDITORIAL From the Editor
Karen (Ren) vanMeenen
Afterimage Vol.51, Issue 4, 1-3. doi: 10.1525/aft.2024.51.4.1 |
DOSSIER Black Brazilian Cinema
Adriana Michéle Campos Johnson; André Keiji Kunigami
Afterimage Vol.51, Issue 4, 4-7. doi: 10.1525/aft.2024.51.4.4
Black Brazilian Cinema: Conversations with Filmmakers
Afterimage Vol.51, Issue 4, 8-25. doi: 10.1525/aft.2024.51.4.8
Contemporary Black Brazilian Cinema: Off-screen, BlackSpace, and Beyond
Kênia Freitas
Afterimage Vol.51, Issue 4, 26-35. doi: 10.1525/aft.2024.51.4.26 |
ESSAY Graphical User Interference
David Caterini
Afterimage Vol.51, Issue 4, 36-42. doi: 10.1525/aft.2024.51.4.36 |
ARTICLES Sickly Sweet: The Scent of Racialized Sexuality in Arnold Genthe’s Old Chinatown Photographs (1896–1906)
Courtney Lau
Afterimage Vol.51, Issue 4, 43-64. doi: 10.1525/aft.2024.51.4.43
Immersion into the Datascape: Ryoji Ikeda’s Data Composition in Screen-Centric Audiovisual Installation and Its Embodied Experience
Joo Yun Lee
Afterimage Vol.51, Issue 4, 65-87. doi: 10.1525/aft.2024.51.4.65 |
EXHIBITION REVIEWS Exhibition Review: Community of Images: Japanese Moving Image Artists in the US, 1960s–1970s
Helena Shaskevich
Afterimage Vol.51, Issue 4, 88-94. doi: 10.1525/aft.2024.51.4.88
Exhibition Review: Sky Hopinka: Unforgiven Souls Sing Hymns
Valeria or
Afterimage Vol.51, Issue 4, 95-99. doi: 10.1525/aft.2024.51.4.95 |
BOOK REVIEW Review: The Effect of Tropical Light on White Men, by Catherine Lord
Tate Shaw
Afterimage Vol.51, Issue 4, 100-104. doi: 10.1525/aft.2024.51.4.100 |