Named after the small red sticker that once guided scholars through legacy 35mm slides, The Red Dot is here to help you navigate the ever-evolving landscape of visual and material research. While rooted in the University of California, Santa Barbara community, our posts are open to all.
At MIRL, we engage with art history, digital humanities, and material culture through hands-on research and archival projects. Guided by our core principles—critical engagement with visual and material culture, ethical stewardship of images and data, and innovative approaches to research and pedagogy—we work at the intersection of technology and the humanities. We are especially interested in how digital tools can expand the study of images, objects, and spaces.
Here, we’ll share insights on Digital Art History and Architectural History, highlight new image and data resources, discuss copyright and ethical considerations, and spotlight events that shape our field.
The Red Dot © 2025 is licensed under CC BY-NC 4.0
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DH Monday: Digital Humanities and Materiality Online Seminar – “Museikon, from physical to virtual reality: a continuous challenge”
Museikon, from physical to virtual reality: a continuous challenge, Tuesday, February 21, 4:00PM – 5:30PM GMT / 8:00AM – 9:30AM PST, Online via Zoom After securing an EEA Grant, Museikon was required to make their entire collection of icons and ancient books available to the public, which they accomplished by digitizing and displaying the approximately… Read more
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Launch of the Online Database “Antiquitatum Thesaurus”
The online database “Antiquitatum Thesaurus: Antiquities in European Visual Sources from the Seventeenth and Eighteenth Centuries” is available in open access. “Antiquitatum Thesaurus” investigates prints and drawings of the seventeenth and eighteenth centuries based on artifacts from antiquity, and links them with the ancient objects that they document as well as with other evidence of… Read more
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Sunoikisis Digital Classics Online Digital Humanities Seminars
Geographical Information Systems, Thursday, February 9, 4:00PM – 5:30PM GMT / 8:00AM – 9:30AM PST, Online via YouTube This session introduces Geographic Information Systems (GIS) and illustrates how it can be used to explore spatial patterns in cultural heritage datasets. We begin with an overview of the basic building blocks of GIS, including raster and… Read more
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DH Monday: CFP – DAHJ Issue #9: The Art Museum in the New Hybridity
Continued Call for Papers – International Journal for Digital Art History Issue #9, “The Art Museum in the New Hybridity,” explores the convergence of analog and digital media, focusing on the art museum in the new hybridity. If you are interested in submitting a manuscript, please review the DAHJ Call for Papers and Submission Guidelines.… Read more
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DH Monday: Workshop – Images in Social Media Research: Digital Tools & Methodological Challenges (online / February 10, 2023)
Online Workshop: February 10, 2023, 9.00-16.30 (CET) / 12:00am – 7:30am (PST) Registration Deadline: February 9, 2023 This one-day workshop aims to bring together image researchers from different disciplines. On a very hands-on level, we want to explore digital tools that might offer pragmatic solutions for researching images on the web. Furthermore, the academic (re)use… Read more
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DH Monday: CFP – Histories of Media Art (Venice, 13-16 Sept 23)
Abstract Submission Deadline: Jan 30, 2023 Hosted by the Venice Centre for Digital and Public Humanities (VeDPH), Università Ca’ Foscari Venice, Italy, the 10th International Conference on the Histories of Media Art, Science and Technology – RE:SOURCE – will celebrate Media Art Histories and the role that its main agents have had in the multiple… Read more